In Production and development

Most of our productions is for TV.  Mainly for Norwegian broadcasters,  but several productions have been sold on the international market, and have received internasjonal rewards.

We first heard about Petter Amundsen, an organist in Oslo, in 2003. He told us he had discovered ciphers in Shakespeare’s first folio. Ciphers supporting the theories stating  that Shakespeare was not the writer. The ciphers also uncovered a treasure map leading to Oak Island, also known as the “Treasure Island”, in Canada.

Amundsens work was extremely thorough, based on cipher systems published before 1600 AC. At that time no scholar would listen to him.  In 2009 we released a four part TV series on NRK, after that more and more people started to listen to what he had to say.

In recent years there has been a massive influx of conspiracy theories around the world. Post 9.11, Da Vinci-code and not least the rise of the internet has seen an invasion highly speculative ideas, with little, or no root in science or the general perception of truth. The theories are often fronted by people who are on the outside the academic establishment.

So, what makes this “highly speculative conspiracy theory” from a person outside the scientific circles” more credible than all others?

This film would not have been made if it didn’t have a growing support from people within academic establishment.  Since the first discoveries were made in 2003, a number of experts from different fields of sciences have been scrutinizing the evidence put forward. So far, has no one been able to pull it apart and disprove the theory. Not a single person has bluntly discarded the findings as irrelevant. In fact, the theory has grown steadily, with more people joining the search, also within the scientific establishment itself. A growing number of “qualified” people with experience from Cryptology, Mathematics and Natural Sciences as a whole are now studying this secret language of steganography.

I det fattige landet Senegal i Vest-Afrika er ytringsfriheten begrenset, spesielt for barn og ungdom. Gjennom en levende hip hop-kultur forsøker mange unge å mane til endringer i samfunnet, men hvordan skal de nå ut med budskapet sitt? Den svenske rapperen Timbuktu dukker opp med en idé som kan hjelpe dem mot målet, men planen krever også stor innsats fra ungdommene selv.

Timbuktu

Svenske Jason Diakité, bedre kjent som rapperen Timbuktu, har markert seg som en av Skandinavias mest relevante artister gjennom en årrekke. Han har hele tiden hatt et sterkt sosialt engasjement i det han gjør, spesielt for Afrika hvor han har sine røtter, men samtidig opplever han det som lite tilfredsstillende å bare "reise dit, klappe noen fattige barn på hodet, spille en låt og dra igjen".

Jason ønsker å bidra med noe han kan, og skape noe av mer varig karakter. Sammen med Plan Norge utvikler han derfor på rekordtid ideen om å bygge et studio for unge talenter i storbyslummen i Dakar. Studioet skal bli et sted der han selv vil være til stede og undervise og inspirere. Ideen er at dette skal være mye mer enn en fritidsklubb for fattige: Jason vil at det faktisk skal skapes musikk der, og endatil musikk med mening.

In a country perceived by most as one of the worst in which to be a woman, a debate is taking place:  “Behind the veils in Saudi Arabia “ examines the battle between influential Saudi women over their future role in the Kingdom, as seen through five female pioneers - on opposite sides of the debate.